Tag: franchise evolution

New Rockstars

What Should Marvel Look Like AFTER Secret Wars?

6th September 2026

Speculating on Marvel’s post‑Secret Wars future with fresh lineups, bold resets and the kind of chaotic universe‑shuffling that makes fan theories explode…

Star Wars - The Direct

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2nd September 2026

Star Wars dives into fresh territory this month shifting from familiar tones into eerie atmospheric horror that teases a darker unexplored corner of the galaxy…

Star Wars Explained

Thank Goodness for Star Wars Physical Media

20th July 2026

A grounded reflection on why physical media remains the only reliable safeguard for preserving Star Wars history as creators revise, streamers rotate, and digital versions quietly disappear…

Generation Tech

Saving Star Wars is simple… but the problem its facing is colossal

14th January 2026

Generation Tech argues that fixing Star Wars requires straightforward creative focus yet the franchise’s massive corporate pressures fan expectations and legacy weight make meaningful change incredibly difficult…

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Q: The underwater scenes of Otoh Gunga had a beauty all their own. Were these particularly difficult to create, and what parts were live action vs. miniatures vs. CG?

ILM: The Otoh Gunga Boardroom scene was challenging as we needed to create an otherworldly environment with a backdrop which was underwater. We wanted everything to have a magical feeling, with warm rich colors; that in itself presented problems as we still had to convey that water, which is inherently cold, was beyond the transparent walls. Generally the only live action parts were the actors Liam Neeson and Ewan McGregor; they were shot on a partial set, but even that, along with various miniature model elements of the environment, was brought into the CG world and manipulated, before being composited together with other entirely CG elements (the board members, Boss Nass, JarJar, the fish, the exterior spheres and bubbles).

From Ask the Jedi Council Archives – 1999

Ask the Lucasfilm Jedi Council

Q: What kinds of skills and talents does it take to be a conceptual artist?

A: Doug Chiang

– Conceptual designers need to be good artists. Our job is communication through art. The backgrounds of each artist in the art department are often as varied as our skills. Some are wonderful creature creators, like Terryl Whitlatch, and others like Iain McCaig excel at costumes. But the common link that binds us all is the ability to draw well.

In addition, concept designers need to be world builders. We need to be architects, vehicle designers, costume and creature designers, all in one. Good designers have the ability to see the uncommon in common objects.