The Saint: The Fiction-Makers (1968)
Simon Templar dives into a wild meta‑adventure when a criminal syndicate models its schemes on a novelist’s pulp thrillers creating a playful stylish slice of 60s escapism...
Crossplot (1969)
Roger Moore dashes through swinging‑London intrigue after a mysterious model pulls him into a whirlwind of spies chases and mod‑era conspiracy mayhem...
A View to a Kill (1985)
Bond faces Max Zorin’s deadly scheme in a stylish 80s adventure filled with daring stunts iconic locations and one of the franchise’s most memorable villain performances...
Everything WRONG With A View To A Kill In 18 Minutes Or Less
CinemaSins digs into A View To A Kill calling out its wild plot choices awkward action beats questionable Bond moments and the gloriously over‑the‑top 80s excess...
The Spy Who Loved Me (1977)
Roger Moore headlines The Spy Who Loved Me delivering iconic Bond action unforgettable stunts and a stylish Cold War adventure that helped redefine the franchise’s larger‑than‑life spectacle...
The Man Who Haunted Himself (1970)
Roger Moore delivers a rare psychological thriller turn in this eerie 1970 tale of identity, doubles and creeping dread, captured here in classic Grindhouse trailer style...