Tag: slow horses

Apple TV

Slow Horses — (Some) Iconic Scenes | Seasons 1-6

24th September 2026

A sharp rundown of standout Slow Horses moments capturing sly humour brutal surprises and the wonderfully dysfunctional chaos that defines Jackson Lamb’s misfit spy squad…

Apple TV

An Eighth Season for Slow Horses

16th September 2026

Slow Horses renewed for season eight on Apple TV, adapting Mick Herron's Clown Town as Gary Oldman's Jackson Lamb returns for more darkly comic spy chaos.…

Apple TV

Apple TV Unveils First Look at S6 of Slow Horses

12th June 2026

Apple TV reveals the first look at Slow Horses Season 6, teasing new tensions, sharp humour and another twist‑heavy chapter for Jackson Lamb’s misfit agents…

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Q: The underwater scenes of Otoh Gunga had a beauty all their own. Were these particularly difficult to create, and what parts were live action vs. miniatures vs. CG?

ILM: The Otoh Gunga Boardroom scene was challenging as we needed to create an otherworldly environment with a backdrop which was underwater. We wanted everything to have a magical feeling, with warm rich colors; that in itself presented problems as we still had to convey that water, which is inherently cold, was beyond the transparent walls. Generally the only live action parts were the actors Liam Neeson and Ewan McGregor; they were shot on a partial set, but even that, along with various miniature model elements of the environment, was brought into the CG world and manipulated, before being composited together with other entirely CG elements (the board members, Boss Nass, JarJar, the fish, the exterior spheres and bubbles).

From Ask the Jedi Council Archives – 1999

Ask the Lucasfilm Jedi Council

Q: What kinds of skills and talents does it take to be a conceptual artist?

A: Doug Chiang

– Conceptual designers need to be good artists. Our job is communication through art. The backgrounds of each artist in the art department are often as varied as our skills. Some are wonderful creature creators, like Terryl Whitlatch, and others like Iain McCaig excel at costumes. But the common link that binds us all is the ability to draw well.

In addition, concept designers need to be world builders. We need to be architects, vehicle designers, costume and creature designers, all in one. Good designers have the ability to see the uncommon in common objects.