Big Screen, Small Matte

Here’s the latest from the Archives of Matte Shot …

Hello fellow matte shot and trick photography aficionados, it’s time for another illuminating look at the wonders of the virtually lost craft of hand painted matte trickery. Firstly let me say how surprised and delighted I was at the phenomenal response to last month’s 2001 special effects blog post. I really didn’t anticipate anywhere near the number of hits (over 44’000 – unbelievable I know!) and emails, comments and communications. I’d always felt that most fans of the film were more slanted toward the esoteric or philosophical nature of the film rather than the technical side, but it seems I misjudged the huge Kubrick fanbase. Thanks to all who responded and made valuable observations (and a few corrections).

Today I’m taking us back into my comfort zone of matte paintings, with what will hopefully be a fascinating look into the not too commonly revealed world of what could be termed ‘micro mattes’, or small fix up matted in work that nobody really was ever supposed to see. Some of these ‘small’ shots are from big films with vast visual effects callsheets, some are from minor pictures while a few shown here today are very rare test shots that were executed purely as a technical and photochemical exercise primarily for the benefit of the matte artist and the effects cameraman to finely hone their craft.

…Read the Full Article @ Matte Shot…

Matte Shot – a tribute to Golden Era & Traditional Special Effects is a tribute to the artistry and ingenuity of traditional matte painters, this collection celebrates the hand‑crafted movie magic that once shaped cinema — from grand, epic vistas to invisible effects even seasoned viewers might miss. It’s designed for both casual fans and dedicated enthusiasts, offering a renewed appreciation for skills largely forgotten today. I’ve also reached deeper into the Matte Shot archives to bring even more of this remarkable work forward, and I hope you enjoy the journey as much as I do.