Term of Trial (1962)

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Notable for the debuts of Sarah Miles (Ryan’s Daughter, 1970) and Terence Stamp (The Collector, 1963) and an ending that even in those misogynistic times was wince-inducing. The halcyon era of dull English schoolteachers being celebrated (Goodbye, Mr Chips, 1939) or finding redemption or even just managing to overcome pupil hostility (The Browning Version, 1951) were long gone, replaced by a more realistic view of the casual warfare endemic in education establishments, not quite in The Blackboard Jungle (1956) vein but running it close, with bullying, sexual abuse and ridicule running riot.

Self-pitying Graham Weir (Laurence Olivier) has failed to achieve his ambitions in part due to alcoholism, in part to antipathy to his conscientious objection during World War Two. And although he has a sexy French wife Anna (Simone Signoret) in the days when any Frenchwoman was deemed a goddess, she is embittered that the future he promised has not materialized. Like To Sir, with Love (1967) his classroom is filled with no-hopers so that he responds to the meek and innocent wishing for educational betterment…

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The Magnificent 60s is a richly curated deep dive into one of cinema’s most transformative decades, guided by film historian Brian Hannan. The site blends sharp weekly reviews with detailed production histories, box‑office insights, and behind‑the‑scenes stories that illuminate how the 1960s reshaped filmmaking. Its archive is vast and meticulously organised, covering everything from spy thrillers and westerns to biopics, musicals, and contemporary films that echo the era’s sensibilities.